the new filipino kitchen named one of the san francisco chronicle's favorite cookbooks of 2018
This morning, I was pleasantly surprised to learn that The New Filipino Kitchen, where both my father and I appear, has been selected as a favorite cookbook of 2018 by the San Francisco Chronicle. Prior to this recognition, the anthology/cookbook has received some well-deserved buzz from Publisher's Weekly, Booklist, and Library Journal, among other places. We have just received our complimentary copies in the mail, so I can personally attest that the book lives up to the hype! You can read the full review from SFChronicle here and get your own copy (which would also make the perfect Christmas present for a friend or loved one) here.
I will be a returning artist-in-residence at the khn center for the arts in 2019!
I am pleased to announce that I will be an artist-in-residence for six weeks at the KHN Center for the Arts in Nebraska in the spring of 2019. They previously hosted me for four weeks in 2012, and I loved the experience (I wrote the beginnings of my first novel during that period) so I decided to reapply this year, after finishing my PhD. I plan to spend those six weeks writing more stories about Filipinos in New Zealand and Texas, and hopefully the beginnings of a new novel. More about my upcoming residency here, on their website.
"when one's anger is justified, but silenced: tone policing in filipino communities" published in Brain mill Press's voices series
After experiencing victim-blaming and invalidation from a Filipino student club in New Zealand when I shared with them my essay entitled "My 'Get Out' moment as an overseas student", I decided to use my anger productively by writing about the incident, explaining how it's a perfect example of internalized racism and self-inflicted microaggression. Entitled "When One's Anger is Justified, but Silenced: Tone Policing in Filipino immigrant Groups", my essay has found a home in the ANGER issue of Brain Mill Press's Voices Series. The purpose of this issue, according to the editors, is "to showcase essays and poetry featuring well-aimed anger from femme writers, writers of color, LGBTQIA+ writers, First Nations writers, and disabled writers". I'm honored to have my work included in such an important series. I would love to thank the editors for allowing my voice (and anger) to be heard! You can read the essay here, and the full issue here.
*Update (November 13, 2018): This piece was reprinted in yomyomf.com, an Asian-American pop culture site.